composition

Today, my Facebook newsfeed was covered with stories about government-mandated oppression and silencing across the world. At least 94 protestors were killed in Egypt by state security forces. A US woman was deported from Bahrain  after writing articles and comments on social media that the Bahraini government decided  "incited hatred against the government."  As I read these headlines, I was also moved by an email I received: a student could not participate in my course because the government of the nation where this student resided blocked access to many sites. The student could not perform unbiased research-- or perform research at all, in some cases-- so the student was forced to withdraw, hoping to take the course again when back in the U.S. This made me think hard about the globalization that many universities aim to promote. In my online summer course, for example, I have several international students, and they are taking the course from their home country. While ...

Last week, I had to read Mina Shaughnessy's 1976 essay "Diving In: An Introduction to Basic Writing" for our professional development session at the writing center where I work. I've read her book Errors and Expectations (1977), but this was the first time that I had a chance to read any of her shorter works. Though the article is nearly 40 years old, the problems and solutions described by Shaughnessy are still applicable today. Shaughnessy's main argument in the piece is that educators need to stop considering basic writing "a writing course for young men and women who have many things wrong with them" (291). Instead, she argues that writing instructors need to begin to examine their own teaching and learning processes and the complex and contextual needs of their students. To show how these issues manifest themselves in the university, Shaughnessy outlines a "developmental scale for teachers," complete with four stages. They are: Guarding ...

Last weekend, I had the pleasure of attending my very first National Council of Teachers of English Annual Convention (#NCTE12) at the MGM Grand Conference Center in beautiful Las Vegas, NV. There were many interesting and exciting panels to choose from. My program is about an inch and half thick. My favorite panel, however, was "Connecting Lived Experiences and Literacies with Urban High Schools: Lessons for Pedagogy." Here is the program entry: B.41 CONNECTING LIVED EXPERIENCES  AND LITERACIES WITH URBAN HIGH  SCHOOLS: LESSONS FOR PEDAGOGY (S) Room 107, Level One Teachers experience pedagogical struggles while students interact in academic spaces that challenge their multiple lived experiences through the narrowing of curricula. In this session, presenters will critically analyze their educational research contexts, which often miss rich opportunities to consider students’ multiple identities, positionings, and languages. Chair: Timothy San Pedro, Arizona State Universi...

I return to my post about the Aurora shooting because some new information has recently come forth. From the beginning, law enforcement said that they believed the attack was premeditated, and last week, Fox News published that law enforcement found a massive notebook that had been mailed to a university psychiatrist on July 12, days before the attack. In other words, had it been delivered and had someone taken it seriously, the attack might have been prevented. This leads me back to some of the things I have been thinking about over the past two years: How do we judge if someone is simply being creative with a dark edge, or sincerely needs help?  How do we deal with traumatic/confessional writing?   Who gets heard in a world covered with writing?   Why do we make students write about the "purely academic" and separate themselves from the real world?  These questions immediately lead me back to Chris Anson's short piece, "What's Writing Got to Do With Campus Te...

About a week ago, I picked up Stanley Fish's Save the World on Your Own Time. A colleague mentioned it during a conversation at faculty orientation, and I was instantly intrigued. Fish argues that teachers who try to do anything but teach-- which he defines as providing new discipline-relevant material and demonstrating practical methods of analysis and evaluation-- are doing their students and academia in general a disservice. His argument also extends to administrators and universities in general. And he doesn't sugar coat it. He has a wry, sarcastic, and very direct style to his writing; some might even call it aggressive (he does). As a teacher, I was interested in his distinction between "academicizing" and indoctrinating, especially after hearing a fellow classmate's heated objections to a teacher who was offering extra credit to students who chose to join Occupy Wall Street. To me, that was simply unacceptable. I also remembered the 2008 election and my tea...

For several months now, I've been slowly working through an archive of First Year Writing students' portfolios. Though I'm reading them through a lens that looks for classifications of public versus private writing spaces, I saw something today that sparked my interest much more. I was reading a student's essay on dorm living that was written for a colleague's class when I came across a description of a student that I recognized, one of my own. It was a strange moment for me. I only had the girl in class for a few weeks, but she was very unique. She had a creative approach to writing and a great sense of voice. I knew it would be a pleasure to read her papers and to push her to improve her writing throughout the semester, but I never got the chance. Eventually, she just stopped showing up. What I learned from this other students' paper was a bit about the girl's lifestyle. It made it seems as if she were a recluse, someone who never stayed in the dorms unles...

If your writing strategy is absurdly demonstrated as a cheeseburger, then it's probably absurd. The other night, I sat on Twitter talking to colleagues about the Five Paragraph Essay (which, yes, I do hate). The argument was about purpose and whether it was useful. I argued that the Five Paragraph Essay is like playing Hot Cross Buns; sure, you're making music, but it's only three notes, neither deep nor complex. The argument I got back was something along the lines of  "15-year-olds don't have much to say anyway." According to this colleague, their thoughts are simply not deep or complex (I am happy to say that my Twitter colleague eventually rethought this statement). I think this idea is at the core of some of our very real problems in education. We believe our students, simply because they are novices, have nothing to say. As a result, we fail to challenge them. Even worse, we fail to listen to them. Expediently Killing a Generation: An Intellectual Holoca...

Th1rteen R3asons Why by Jay Asher was recommended to me by a student in the early part of the semester, and I only now got a chance to read it. The story revolves around a high school junior named Clay Jensen, who mysteriously receives voice recordings of Hannah Baker, a classmate who committed suicide. It most likely falls into the YALit category, but I wouldn't let that deter you from reading it. This is a powerful story. It would make a great addition to a high school syllabus, especially in 9th or 10th grade. I don't want this to be a book review, though. That's not really why comPOSITION exists. Instead, I want to talk about this book's take on education and writing, especially education about writing. For Hannah, like real life student Phoebe Prince , writing became an outlet to address the confusion she was experiencing in her life. Hannah particularly took to writing poetry. It should also be noted that she made fun of the self-indulgent "miserable poets...

ABC's What Would You Do? is really difficult to watch. For one, you want to jump into the television and do something. You sit there judging people, saying "How could they say that?" or "Why didn't they tell off the store employee for being a jerk?" or "How could they possibly buy their goods there?" You want to scream at the by-standers who do nothing. You are disgusted by bigots, or maybe freak yourself out a bit when you realize that their arguments are logical or even compelling. Once the actionless by-standers are interviewed, however, you are forced to see yourself, which is, perhaps, the most difficult thing about watching this show. Many of those who remain bystanders (though perhaps not in this clip) weren't sure it was their place to "get involved." While we all would like to believe that we would step in and do something in the face of social injustice, possible child abuse, fraud, etc., in reality, many of us would just su...

The Pedagogical Practice I truly believe that, as an educator, I have a responsibility to break down the barrier that students believe exists between school and the "real world." I believe that educational settings should be microcosms of the world at large, a place where diversity exists, views clash, and there is the possibility for collaboration. In my particular case, most of the students who step into my writing classroom will never be English majors, and I don't want them to feel that writing is only something that is performed for an English teacher. I believe that breaking down this barrier not only enables students to see writing/learning as a social transaction/process, but hopefully removes some of the pressure that keeps students from writing, which I feel is especially derived from writing to the test. I also think it gives purpose to their writing, makes them more aware of the role they wish to play and the audience they wish to address in their writing, and...

Composition, as a subject, seems powerful, though somewhat benign to many of us. What I mean by that is that we recognize writing's power to help students become self-aware and to help spark change, but we don't see how what we teach in our classrooms can also be hateful, hurtful, or ignorant. I am sparked to speak of this because of Tyler Clementi, a freshman at Rutgers University (New Brunswick, NJ), who took his life on September 22, just last week. Clementi's roommate, Dharun Ravi, and a female student, Molly Wei, taped two of Clementi's sexual encouters and broadcast them via the internet, exposing Clementi as a homosexual. Ashamed and troubled, Tyler jumped from the George Washington Bridge. Sadly, Clementi's story is horrific, but not entirely unique. Kids are bullied everyday, and many teenage suicides are linked to histories of being bullied. 15-year-old Phoebe Prince of Massachusetts comes to mind here. Harassed, especially online, by two boys she had date...